inaugurated the exhibition in Barletta fotografica “Barletta, il tempo, le immagini, la memoria”
Da dove veniamo, dove stiamo andando? Sono queste le domande che ci si pone visitando la magnifica mostra fotografica “Barletta, il tempo, le immagini, la memoria” allestita presso la Galleria del Teatro Curci a Barletta . Inaugurata in una cornice festosa come quella carnascialesca, la mostra è una collana di perle preziose, collocabili cronologicamente tra il XIX e il XX secolo, collezionate e curate con estrema dedizione dal dottor Donato Messina. La raccolta segue il filo logico della continuità tra passato e presente, in particolare quando si pone l’obiettivo didattico di consegnare alle nuove generazioni la memoria historic city. But at the same time it is also the complaint of brutality and violence perpetrated in the present and / or in the recent past in respect of the urban landscape. It is a fascinating journey through time, which brings to life the customs, traditions, the moments of people's daily lives BARLETTANI. Casts a new light - that light particularly mentioned by prof. Lagrasta, headmaster of the Liceo Classico "Casardi" during the presentation of the exhibition, the light that those who have left their native land find themselves nostalgic every time they return, unlike any other in the rest of the planet - on the old urban amenities and views of cities. A light should illuminate administrators today as those of tomorrow, perhaps taking a cue from the solutions of the past. What is most striking, in front of some photographs and postcards of the time, is that despite the intense vitality of the scenes work and the dynamism of the people on the streets of the city, they were neat and clean as ever we could imagine today. No deafening traffic of cars, no air breathable and fatal, not reckless. Even the portrait of the industrial area around the ex Montecatini seems to have taken some architectural biocompatible. Regret that generates the green square in the pawnshop. And then
leisure, the beautiful women's costumes in "1910-35 West beach, the views of the public courses, workshops, the cartographic representation of the Terra di Bari, the port works mirror the sense of greatness, leadership and openness to the world of the city, the series of old doors - the door hits the majestic San Leonardo - and then return humbly to the hardships of World War II, the shots on the free distribution of bread in the fifties. Truly a magnificent show, maybe to make permanent the Museo Civico di Barletta.
Pasquale Diroma
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